Composition: Eggs in egg carton with drawn faces on two of them.
Concept: Eggs dreading their future as part of a meal.
Method: I drew on the eggs and focused on those and got really close and zoomed in.
Motivation: I thought it would be funny and a bit morbid to give the eggs a personality that dreads when we will eat them. By subtly changing the scene by drawing on the eggs, I wanted to convey that meaning.
Context: People don't give their food personalities- that would just make people reluctant to eat food.
Post-crit analysis:
Interpretation: They thought they were funny.
Evaluation: I could have done something to the scene to make them more interesting- cropping or camera placement.
Extension: I could do a whole narrative series following the expressions of the eggs during each stage of their 'lives' in my kitchen.
Since all of my favorite images that I picked had the same concept, motivation, method, and context, I thought I would just write it once. These were my favorite images from all the landscapes I took.
Composition: I took pictures at my Aunt's house over thanksgiving. I centered the camera mostly on the baby, and wanted to show what was going on around him.
Concept: A Narrative series about how people interact around babies.
Method: I sat on one end of the room and used a slower shutter speed with no flash to capture movement and what was going on.
Motivation: I wanted to show the progression of people's interactions with a baby. How my younger girl cousins loved him and wanted to take lots of pictures, and them eventually they left and the mom came to watch the baby and eventually pick him up. I thought it formed a bit of a narrative that showed not only how people interacted with babies but also a progression in time.
Context: People love taking pictures of babies, but usually close up and smiling. I wanted to show more of how other people act around babies.
Post-crit analysis:
Interpretation: They could definitely see a story forming, but wished it would have been more developed.
Evaluation: I should have framed them all the same or added more from different angles. Two the same and one different doesn't mesh well.
Extension: I could have had more scenes as well.
Composition: Staples standing up and slightly leaning on each other with a blank background.
Concept: I wanted to reference architecture and a city landscape on a miniature scale using staples.
Method: I set the staples up on a white board, used the natural light in the room and shot the image.
Motivation: I wanted to make it look like skyscrapers.
Context: Architectural images are popular in photography, and I wanted to see if I could fool people into thinking of buildings when I took a photo of staples.
Post-crit analysis:
Interpretation: Looks cool with the lighting, definitely reminded people of buildings.
Evaluation: It would have looked better if the one staples wasn't leaning on the other.
Extension: More staples, bigger city landscape. Not just one patch of buildings.
Composition: I took an up-close picture of staples.
Concept: I wanted to create an abstract image that didn't immediately reference a form.
Method: I zoomed in and focused on the details of a pile of staples.
Motivation: I wanted to construct something that people didn't understand, or immediately know what it was. I wanted to play with illusions and perspective to confuse the viewer about what they were looking at.
Context: In most photography people know what they are looking at, I wanted to distort that and create something that was a little bit of a visual illusion that people didn't know what it was.
Post-crit analysis:
Interpretation: Because I already did a shot with staples in it, most people knew immediately that these were staples.
Evaluation:Could have been sharper in areas.
Extension: I could zoom in even further to really avoid people seeing the shape of staples.
Composition: I put lego faces in a bowl of milk. I took one image straight down of the entire bowl, and one image of a detail of the bowl and it's contents.
Concept: I wanted to play with the idea of cereal and to surprise the viewers with images of legos instead of cheerios or other cereal.
Method: I took the lego heads and put them in a bowl of milk. Using natural lighting I shot the images from different angles and with different focuses and zooms.
Motivation: I thought it would be shocking and humorous, but could also imply a deeper statement about society.
Context: Who eats heads for breakfast? The construction was meant to play on the idea of the absurd, and reference the idea that some people do do crazy things. If we gave each lego head an identity and value, then this piece could reference inhumanity and mistreatment of people as a political statement.
Post-crit analysis:
Interpretation: They didn't really get into deeper meanings, but they thought they were funny.
Evaluation: A bit too grey, maybe set up a little better with the heads not upside down, and spaced better.
Extension: I could do one with a lego head in milk in a spoon on it's way to someone's mouth.